Auckland Museum - Collections Online

Predicate Object
http://collections.aucklandmuseum.com/ontology/core/accessionNumber 1993.159
http://collections.aucklandmuseum.com/ontology/core/classification http://api.aucklandmuseum.com/id/thesauri/classification/94913
http://collections.aucklandmuseum.com/ontology/core/creditLine purchased by the New Zealand Specimen Purchase fund, 1993, collection of Auckland Museum Tamaki Paenga Hira, K6999
http://collections.aucklandmuseum.com/ontology/core/dateCreated 1997-05-19T00:00:00.000Z
http://collections.aucklandmuseum.com/ontology/core/isRelatedTo http://api.aucklandmuseum.com/id/humanhistory/object/12246/relation/2
http://collections.aucklandmuseum.com/ontology/core/isRelatedTo http://api.aucklandmuseum.com/id/humanhistory/object/12246/relation/1
http://collections.aucklandmuseum.com/ontology/core/isRelatedTo http://api.aucklandmuseum.com/id/humanhistory/object/12246/relation/3
http://collections.aucklandmuseum.com/ontology/core/itemCount 1
http://collections.aucklandmuseum.com/ontology/core/lastModifiedOn 2020-12-18T14:20:58.928Z
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http://collections.aucklandmuseum.com/ontology/core/otherIdentifier http://api.aucklandmuseum.com/id/humanhistory/object/12246/otherIdentifier/1
http://collections.aucklandmuseum.com/ontology/core/otherTitle http://api.aucklandmuseum.com/id/humanhistory/object/12246/otherTitle/1
http://collections.aucklandmuseum.com/ontology/core/otherTitle http://api.aucklandmuseum.com/id/humanhistory/object/12246/otherTitle/2
http://collections.aucklandmuseum.com/ontology/core/primaryRepresentation http://api.aucklandmuseum.com/id/media/v/22750
http://collections.aucklandmuseum.com/ontology/core/record_score 40
http://erlangen-crm.org/current/P108i_was_produced_by http://api.aucklandmuseum.com/id/humanhistory/object/12246/production
http://erlangen-crm.org/current/P138_has_representation http://api.aucklandmuseum.com/id/media/v/22750
http://erlangen-crm.org/current/P138_has_representation http://api.aucklandmuseum.com/id/media/v/22751
http://erlangen-crm.org/current/P1_is_identified_by http://api.aucklandmuseum.com/id/humanhistory/object/12246/identifier
http://erlangen-crm.org/current/P24i_changed_ownership_through http://api.aucklandmuseum.com/id/humanhistory/object/12246/acquisition/1
http://erlangen-crm.org/current/P43_has_dimension http://api.aucklandmuseum.com/id/humanhistory/object/12246/dimension/2
http://erlangen-crm.org/current/P43_has_dimension http://api.aucklandmuseum.com/id/humanhistory/object/12246/dimension/1
http://erlangen-crm.org/current/P45_consists_of http://api.aucklandmuseum.com/id/humanhistory/object/12246/material/2
http://erlangen-crm.org/current/P45_consists_of http://api.aucklandmuseum.com/id/humanhistory/object/12246/material/1
http://erlangen-crm.org/current/P46i_forms_part_of http://api.aucklandmuseum.com/id/humanhistory/object/12246/collection
http://erlangen-crm.org/current/P50_has_current_keeper http://api.aucklandmuseum.com/id/humanhistory/object/12246/keeper
http://erlangen-crm.org/current/P51_has_current_owner http://api.aucklandmuseum.com/id/humanhistory/object/12246/legalBody
http://purl.org/dc/elements/1.1/description tile, portrait of Tuari Netana "one of a series including two Maori Chiefs and two Maori guides, commissioned when the four went to England to meet Queen Victorian" ex Webb's catalogue #271 Portrait tiles made with the photo relief technique are exceptionally rare and generally featured the great and the good of the day – William Gladstone, Queen Victoria, and key military figures from the First World War. The method of rendering photographically generated images on ceramic surfaces to create a three-dimensional image is now something of a lost art. It involved reproducing a fully continuous tone image on a ceramic surface by combining the use of varying mono-chromatic glaze and clay body depths. Its capacity to create a permanent, highly photographic ceramic image was outstanding, and George Cartlidge, now best known for his Morris Ware pottery, was one of the most skilled artists to practice the method. Designed in 1898 As befitting the age of empire the first émaux ombrants portrait George Cartlidge did was Queen Victoria, this was the second, the Prime Minister William Gladstone.
http://purl.org/dc/elements/1.1/title tile, portrait
http://www.w3.org/1999/02/22-rdf-syntax-ns#type http://erlangen-crm.org/current/E22_Man-Made_Object
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