Auckland Museum - Collections Online

Predicate Object
http://collections.aucklandmuseum.com/ontology/core/accessionDate 28 Apr 2016
http://collections.aucklandmuseum.com/ontology/core/accessionDateEarliest 2016-04-28T00:00:00.000Z
http://collections.aucklandmuseum.com/ontology/core/accessionDateLatest 2016-04-28T00:00:00.000Z
http://collections.aucklandmuseum.com/ontology/core/accessionNumber 2016.24.1
http://collections.aucklandmuseum.com/ontology/core/classification http://api.aucklandmuseum.com/id/thesauri/classification/NM3.1387
http://collections.aucklandmuseum.com/ontology/core/classification http://api.aucklandmuseum.com/id/thesauri/classification/75988
http://collections.aucklandmuseum.com/ontology/core/classificationDocument http://api.aucklandmuseum.com/id/document/9559
http://collections.aucklandmuseum.com/ontology/core/creditLine Collection of Auckland Museum Tamaki Paenga Hira, 2016.24.1 Purchase
http://collections.aucklandmuseum.com/ontology/core/dateCreated 2016-02-09T00:00:00.000Z
http://collections.aucklandmuseum.com/ontology/core/itemCount 1
http://collections.aucklandmuseum.com/ontology/core/lastModifiedOn 2019-02-19T01:43:38.920Z
http://collections.aucklandmuseum.com/ontology/core/nameTitle http://api.aucklandmuseum.com/id/humanhistory/object/798719/title/1
http://collections.aucklandmuseum.com/ontology/core/otherIdentifier http://api.aucklandmuseum.com/id/humanhistory/object/798719/otherIdentifier/1
http://collections.aucklandmuseum.com/ontology/core/otherTitle http://api.aucklandmuseum.com/id/humanhistory/object/798719/otherTitle/1
http://collections.aucklandmuseum.com/ontology/core/primaryRepresentation http://api.aucklandmuseum.com/id/media/v/388291
http://collections.aucklandmuseum.com/ontology/core/record_score 70
http://collections.aucklandmuseum.com/ontology/core/refersToDate http://api.aucklandmuseum.com/id/humanhistory/object/798719/referredDate/1
http://collections.aucklandmuseum.com/ontology/core/refersToEvent http://api.aucklandmuseum.com/id/event/18
http://collections.aucklandmuseum.com/ontology/core/refersToPerson http://api.aucklandmuseum.com/id/person/35011
http://collections.aucklandmuseum.com/ontology/core/refersToPlace http://api.aucklandmuseum.com/id/place/53
http://collections.aucklandmuseum.com/ontology/core/subjectCategory needlework/crafts
http://collections.aucklandmuseum.com/ontology/core/subjectCategory commemoration/wars
http://erlangen-crm.org/current/P108i_was_produced_by http://api.aucklandmuseum.com/id/humanhistory/object/798719/production
http://erlangen-crm.org/current/P138_has_representation http://api.aucklandmuseum.com/id/media/v/388292
http://erlangen-crm.org/current/P138_has_representation http://api.aucklandmuseum.com/id/media/v/388291
http://erlangen-crm.org/current/P1_is_identified_by http://api.aucklandmuseum.com/id/humanhistory/object/798719/identifier
http://erlangen-crm.org/current/P24i_changed_ownership_through http://api.aucklandmuseum.com/id/humanhistory/object/798719/acquisition/1
http://erlangen-crm.org/current/P3_has_note Handmade Anzac filet crochet cloth, circa 1915 (doily) based on pattern by Mary Card. This was one of the most popular of Mary Card’s crochet patterns designed for women crochet workers in Australia and New Zealand. Mary Card was one of the most well-known designers of crochet work at the time. Based in Australia she published artistic crochet designs for “Australan and New Zealand Crochet Workers”. Her designs at this time included many that had patriotic appeal – the coats of arms of Australia and New Zealand, the Lusitania, Dardanelles, but most well-known was her Anzac 1915 Soldier. (She later modified the pattern so that it became an American soldier – she had moved to the States and was producing patterns for a new market.) Mary Card’s patterns were well-known in New Zealand. The New Zealand papers carried advertisements for her series of Crochet books and for her patterns that were published in other women’s magazines. Filet crochet was a popular needlecraft before and during the war. Patterns for decorative and functional items (tray cloths, doilies, tablecloths, decorative edging for women’s clothing) were published in women’s magazines and in needlework booklets. In addition to the usual floral and geometric patterns, military themes appeared at this time and were made to decorate the family home.
http://erlangen-crm.org/current/P43_has_dimension http://api.aucklandmuseum.com/id/humanhistory/object/798719/dimension/2
http://erlangen-crm.org/current/P43_has_dimension http://api.aucklandmuseum.com/id/humanhistory/object/798719/dimension/1
http://erlangen-crm.org/current/P45_consists_of http://api.aucklandmuseum.com/id/humanhistory/object/798719/material/1
http://erlangen-crm.org/current/P46i_forms_part_of http://api.aucklandmuseum.com/id/humanhistory/object/798719/collection
http://erlangen-crm.org/current/P50_has_current_keeper http://api.aucklandmuseum.com/id/humanhistory/object/798719/keeper
http://erlangen-crm.org/current/P51_has_current_owner http://api.aucklandmuseum.com/id/humanhistory/object/798719/legalBody
http://purl.org/dc/elements/1.1/description Handmade Anzac filet crochet cloth (doily) based on pattern by Mary Card, circa 1915 white rectangular doiley of filet crochet obverse: at centre an Australian ANZAC soldier holding rifle, with words below: ANZAC 1915; columns either side and above
http://purl.org/dc/elements/1.1/title cloth, crochet
http://www.w3.org/1999/02/22-rdf-syntax-ns#type http://erlangen-crm.org/current/E22_Man-Made_Object
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