Auckland Museum - Collections Online

Predicate Object
http://collections.aucklandmuseum.com/ontology/core/childOf http://api.aucklandmuseum.com/id/library/paintinganddrawings/4110
http://collections.aucklandmuseum.com/ontology/core/dateCreated 2019-11-27T04:39:33.000Z
http://collections.aucklandmuseum.com/ontology/core/lastModifiedOn 2020-12-17T14:36:16.190Z
http://collections.aucklandmuseum.com/ontology/core/museumTag ANZAC
http://collections.aucklandmuseum.com/ontology/core/physicalDescription Double-sided print - etching on one side and screenprint on the other. 760 x 560mm on Rives BFK paper
http://collections.aucklandmuseum.com/ontology/core/provenance The prints exist in an edition of 20, the others having been distributed to similar cultural institutions. This set was offered as a gift to Auckland Museum by the Australian War Memorial in 2018.
http://collections.aucklandmuseum.com/ontology/core/provenance All of the printmaking was carried out at the Megalo Studio in Canberra between May 2014 and June 2015, under the technical oversight of printmaker John Loane.
http://collections.aucklandmuseum.com/ontology/core/record_score 15
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http://erlangen-crm.org/current/P3_has_note Edition of 20
http://erlangen-crm.org/current/P3_has_note "Mike Parr works across diverse media platforms, including performance and body art, drawing, printmaking, text, film, staged photography and sculpture. He investigates a range of socio-political concerns, from personal identity to politically charged actions commenting on the role of the individual in society. One of Australia’s foremost artists, Parr has exhibited extensively both locally and overseas, including the 12th Biennale of Sydney in 2000 and the
http://erlangen-crm.org/current/P3_has_note Adelaide Biennial in 2004. In 2005, the Newcastle Region Art Gallery held an exhibition of works from 1970 to 2005, and in 2005-06, the MCA exhibited a major survey of his prints." - Australian War Memorial
http://erlangen-crm.org/current/P3_has_note Artist's bio:
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http://purl.org/dc/elements/1.1/description "Mike Parr produced a two-sided print for the portfolio. The first side is a three-colour screenprint with the refrain [at the going down of the sun and in the morning we will remember them] decreasing in size so that the body of the text seems to compress towards a vanishing point, with the Australian Rising Sun badge at the top. Parr reasoned that the diminution of the refrain was a melancholic device as well as a reflection on the passage of memory through generations. The second side is a three plate etching/drypoint on a copperplate. Parr started with the portrait which was created from his own reflection in the highly polished surface of the blank plate. It is slightly anamorphic and is a generic Parr portrait image [‘of the male Parr line’] of his father. The hand etched text relates to Parr’s family history of his uncle Edgar in the First World War and his father in the second. The text is quite illegible which was important to Parr as he felt this side was much more personal and private than the first. The prints speak of eroded memory and the conflation of handed down stories." - Australian War Memorial
http://purl.org/dc/elements/1.1/format Print
http://purl.org/dc/elements/1.1/format Screenprint
http://purl.org/dc/elements/1.1/format Etching
http://purl.org/dc/elements/1.1/subject http://api.aucklandmuseum.com/id/library/paintinganddrawings/4117/bltSubject/2/2
http://purl.org/dc/elements/1.1/subject http://api.aucklandmuseum.com/id/library/paintinganddrawings/4117/bltSubject/2/3
http://purl.org/dc/elements/1.1/subject http://api.aucklandmuseum.com/id/library/paintinganddrawings/4117/bltSubject/2/4
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http://purl.org/dc/elements/1.1/title Invisible Sun (The Other Side)
http://purl.org/dc/terms/bibliographicCitation Invisible Sun (The Other Side),PD-2019-9-7
http://purl.org/dc/terms/medium Softground etching and foul bite, in black ink; etching, in black ink and softground etching, in silver-green ink, on paper.
http://purl.org/dc/terms/medium Screenprint, printed in silver, red, and blue-grey, from three screens on paper
http://schema.org/description "Mike Parr produced a two-sided print for the portfolio. The first side is a three-colour screenprint with the refrain [at the going down of the sun and in the morning we will remember them] decreasing in size so that the body of the text seems to compress towards a vanishing point, with the Australian Rising Sun badge at the top. Parr reasoned that the diminution of the refrain was a melancholic device as well as a reflection on the passage of memory through generations. The second side is a three plate etching/drypoint on a copperplate. Parr started with the portrait which was created from his own reflection in the highly polished surface of the blank plate. It is slightly anamorphic and is a generic Parr portrait image [‘of the male Parr line’] of his father. The hand etched text relates to Parr’s family history of his uncle Edgar in the First World War and his father in the second. The text is quite illegible which was important to Parr as he felt this side was much more personal and private than the first. The prints speak of eroded memory and the conflation of handed down stories." - Australian War Memorial
http://schema.org/name Invisible Sun (The Other Side)
http://www.w3.org/1999/02/22-rdf-syntax-ns#type http://erlangen-crm.org/current/E84_Information_Carrier
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