Auckland Museum - Collections Online

Predicate Object
http://collections.aucklandmuseum.com/ontology/core/childOf http://api.aucklandmuseum.com/id/library/paintinganddrawings/4110
http://collections.aucklandmuseum.com/ontology/core/dateCreated 2019-11-27T04:47:01.000Z
http://collections.aucklandmuseum.com/ontology/core/keyword Richard Flanagan
http://collections.aucklandmuseum.com/ontology/core/keyword Issa
http://collections.aucklandmuseum.com/ontology/core/keyword haiku
http://collections.aucklandmuseum.com/ontology/core/lastModifiedOn 2020-12-17T15:25:34.163Z
http://collections.aucklandmuseum.com/ontology/core/museumTag ANZAC
http://collections.aucklandmuseum.com/ontology/core/physicalDescription 760 x 560mm on Rives BFK paper
http://collections.aucklandmuseum.com/ontology/core/provenance The prints exist in an edition of 20, the others having been distributed to similar cultural institutions. This set was offered as a gift to Auckland Museum by the Australian War Memorial in 2018.
http://collections.aucklandmuseum.com/ontology/core/provenance All of the printmaking was carried out at the Megalo Studio in Canberra between May 2014 and June 2015, under the technical oversight of printmaker John Loane.
http://collections.aucklandmuseum.com/ontology/core/record_score 15
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http://erlangen-crm.org/current/P3_has_note "Reynolds is one of New Zealand’s most celebrated contemporary painters and printmakers. Engaging literary, religious, art historical and architectural references, his text-based works often allude to New Zealand’s cultural identity and its formation from complex histories, ideas and moral values. Reynolds has a strong interest in history, including that of military conflict. In 2014 he worked with the New Zealand Navy Museum at Torpedo Bay, creating a 2.5m Anzac frigate. Reynolds has featured in key exhibitions and publications on contemporary New Zealand art, and has taken on major commissions, including a work for the 2006 Biennale of Sydney." - Australian War Memorial
http://erlangen-crm.org/current/P3_has_note Artist's bio:
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http://purl.org/dc/elements/1.1/description "In response to extensive reading on New Zealand service and Richard Flanagan’s Narrow Road to the Deep North, John Reynolds created a multi-layered etching. In the serif font favoured by the military, a haiku by Japanese poet Issa that is quoted by Flanagan, has been stenciled in silver. It floats over a rich ‘kimono fabric’ of camouflage and ottoman motifs, wound-like poppies and violent zigzagged gashes." - Australian War Memorial
http://purl.org/dc/elements/1.1/format Stencil
http://purl.org/dc/elements/1.1/format Print
http://purl.org/dc/elements/1.1/format Etching
http://purl.org/dc/elements/1.1/subject http://api.aucklandmuseum.com/id/library/paintinganddrawings/4118/bltSubject/2/5
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http://purl.org/dc/elements/1.1/title Untitled
http://purl.org/dc/terms/bibliographicCitation Untitled,PD-2019-9-8
http://purl.org/dc/terms/medium Etching, printed in red ochre, from one plate; carborundum etching, printed in red ink, from one plate; drypoint and etching, printed in black ink, from one plate; stencil, printed in silver ink, from one stencil on paper
http://schema.org/description "In response to extensive reading on New Zealand service and Richard Flanagan’s Narrow Road to the Deep North, John Reynolds created a multi-layered etching. In the serif font favoured by the military, a haiku by Japanese poet Issa that is quoted by Flanagan, has been stenciled in silver. It floats over a rich ‘kimono fabric’ of camouflage and ottoman motifs, wound-like poppies and violent zigzagged gashes." - Australian War Memorial
http://schema.org/name Untitled
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