Auckland Museum - Collections Online

Predicate Object
http://collections.aucklandmuseum.com/ontology/core/childOf http://api.aucklandmuseum.com/id/library/paintinganddrawings/4110
http://collections.aucklandmuseum.com/ontology/core/dateCreated 2019-11-27T04:52:19.000Z
http://collections.aucklandmuseum.com/ontology/core/lastModifiedOn 2020-12-17T14:36:01.329Z
http://collections.aucklandmuseum.com/ontology/core/museumTag ANZAC
http://collections.aucklandmuseum.com/ontology/core/physicalDescription 560 x 760mm on Rives BFK paper
http://collections.aucklandmuseum.com/ontology/core/provenance The prints exist in an edition of 20, the others having been distributed to similar cultural institutions. This set was offered as a gift to Auckland Museum by the Australian War Memorial in 2018.
http://collections.aucklandmuseum.com/ontology/core/provenance All of the printmaking was carried out at the Megalo Studio in Canberra between May 2014 and June 2015, under the technical oversight of printmaker John Loane.
http://collections.aucklandmuseum.com/ontology/core/record_score 15
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http://erlangen-crm.org/current/P3_has_note Edition of 20
http://erlangen-crm.org/current/P3_has_note is based around the intersection of differing, often clashing, cultures and she investigates the similarities and disparities in histories that are both literary and visual. Sandrasegar has exhibited widely both locally and internationally, and is the recipient of several fellowships and prizes." - Australian War Memorial
http://erlangen-crm.org/current/P3_has_note Artist's bio:
http://erlangen-crm.org/current/P3_has_note "With parents from Australia and Malaysia, Sangeeta Sandrasegar spent her childhood between both countries. Her exploration of India and Australia, as personal sites of both homecoming and ancestry, and as nations with related colonial histories, has influenced her recent projects. Sandrasegar’s practice consolidates postcolonial and hybridity theory, exploring her context within Australia and its relationship to migrant communities and homelands. Her work
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http://purl.org/dc/elements/1.1/description "Sandrasegar decided to look at the role of women on the home front during the First World War for her print. The first layer of Sandrasegar’s work is an image that references the drawings women in India create on the walls of houses. The scenes traditionally depicted Hindu/Ramayana stories or scenes from everyday life, here transposed to reflect the everyday of the FWW soldier and stories told of their service rendered in a feminine style and colour. The next layers are an image of a letter to a female relative of Sandrasegar’s replying to her enquiries into the whereabouts of her husband as she had not heard for some time. The photographic image was taken by Sandrasegar of the house this relative lived in Melbourne. The badge is Female Relatives Badge given to women whose husbands and sons served during the FWW." - Australian War Memorial
http://purl.org/dc/elements/1.1/format Print
http://purl.org/dc/elements/1.1/format Lithograph
http://purl.org/dc/elements/1.1/format Watercolour
http://purl.org/dc/elements/1.1/format photo screenprint
http://purl.org/dc/elements/1.1/format Photo etching
http://purl.org/dc/elements/1.1/subject http://api.aucklandmuseum.com/id/library/paintinganddrawings/4119/bltSubject/2/5
http://purl.org/dc/elements/1.1/subject http://api.aucklandmuseum.com/id/library/paintinganddrawings/4119/bltSubject/2/4
http://purl.org/dc/elements/1.1/subject http://api.aucklandmuseum.com/id/library/paintinganddrawings/4119/bltSubject/2/1
http://purl.org/dc/elements/1.1/subject http://api.aucklandmuseum.com/id/library/paintinganddrawings/4119/bltSubject/2/3
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http://purl.org/dc/elements/1.1/title And the Last Remnants Memory Destroys
http://purl.org/dc/terms/bibliographicCitation And the Last Remnants Memory Destroys,PD-2019-9-9
http://purl.org/dc/terms/medium Lithograph, printed in pink and black ink, from two stones; photo-etching, printed in black ink, from one plate; photo-screenprint, printed in black ink, from one screen; hand-coloured in blue watercolour on paper
http://schema.org/description "Sandrasegar decided to look at the role of women on the home front during the First World War for her print. The first layer of Sandrasegar’s work is an image that references the drawings women in India create on the walls of houses. The scenes traditionally depicted Hindu/Ramayana stories or scenes from everyday life, here transposed to reflect the everyday of the FWW soldier and stories told of their service rendered in a feminine style and colour. The next layers are an image of a letter to a female relative of Sandrasegar’s replying to her enquiries into the whereabouts of her husband as she had not heard for some time. The photographic image was taken by Sandrasegar of the house this relative lived in Melbourne. The badge is Female Relatives Badge given to women whose husbands and sons served during the FWW." - Australian War Memorial
http://schema.org/name And the Last Remnants Memory Destroys
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