Auckland Museum - Collections Online

Predicate Object
http://collections.aucklandmuseum.com/ontology/core/childOf http://api.aucklandmuseum.com/id/library/paintinganddrawings/4110
http://collections.aucklandmuseum.com/ontology/core/dateCreated 2019-11-27T05:00:06.000Z
http://collections.aucklandmuseum.com/ontology/core/lastModifiedOn 2020-12-17T13:59:17.786Z
http://collections.aucklandmuseum.com/ontology/core/museumTag ANZAC
http://collections.aucklandmuseum.com/ontology/core/physicalDescription 560 x 760mm on Rives BFK paper
http://collections.aucklandmuseum.com/ontology/core/provenance The prints exist in an edition of 20, the others having been distributed to similar cultural institutions. This set was offered as a gift to Auckland Museum by the Australian War Memorial in 2018.
http://collections.aucklandmuseum.com/ontology/core/provenance All of the printmaking was carried out at the Megalo Studio in Canberra between May 2014 and June 2015, under the technical oversight of printmaker John Loane.
http://collections.aucklandmuseum.com/ontology/core/record_score 15
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http://erlangen-crm.org/current/P3_has_note Edition of 20
http://erlangen-crm.org/current/P3_has_note society. In her practice she explores the way art can draw upon fragments from history to re-imagine a past event or
http://erlangen-crm.org/current/P3_has_note estranged from her Balinese heritage, but also considered herself an outsider or ambiguous insider in New Zealand
http://erlangen-crm.org/current/P3_has_note exhibited in New Zealand and internationally for over a decade. In 2012 she held solo exhibitions at the Auckland Art
http://erlangen-crm.org/current/P3_has_note Artist's bio:
http://erlangen-crm.org/current/P3_has_note Gallery Toi o Tamaki and Neuer Kunstverein, Vienna, and was included in the 2012 Biennale of Sydney." - Australian War Memorial
http://erlangen-crm.org/current/P3_has_note "Spong is an artist of New Zealand and Indonesian heritage. Born and raised in New Zealand, Spong often felt
http://erlangen-crm.org/current/P3_has_note performance. More recently she has examined the body and its relationship with history, place and time. Spong has
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http://purl.org/dc/elements/1.1/description "For her print Sriwhana Spong devised a private alphabet, or code, from abstract forms that trace trench designs used in First World War maps and leaves gathered while cycling through various areas involved in the Battle of Passchendaele. The idea for a code came out of her inability to speak about such a horrific event. This sense of speechlessness, or not being able to find the right words, was the initial idea for a language that would speak in symbols, playing on the 'code' as a form of opaque communication and a disseminator of secrets. Both the leaves and the trench designs are forms that belong to the earth: the trenches being an architecture inside the ground that spread like scars across the landscape, and the leaves plucked from the places where the dead were given back to the earth. The translated text is from an official notification of the death of a soldier Spong read in the Flander's Museum. It states that the soldier in question died 'in a place not stated'. The black elements have been screenprinted, while the leaves where drawn onto one large lithographic stone." - Australian War Memorial
http://purl.org/dc/elements/1.1/format Print
http://purl.org/dc/elements/1.1/format Lithograph
http://purl.org/dc/elements/1.1/format Screenprint
http://purl.org/dc/elements/1.1/subject http://api.aucklandmuseum.com/id/library/paintinganddrawings/4120/bltSubject/2/1
http://purl.org/dc/elements/1.1/subject http://api.aucklandmuseum.com/id/library/paintinganddrawings/4120/bltSubject/2/5
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http://purl.org/dc/elements/1.1/title At a Place Not Stated
http://purl.org/dc/terms/bibliographicCitation At a Place Not Stated,PD-2019-9-10
http://purl.org/dc/terms/medium Lithograph, printed in light green and dark green, from two stones; screenprint, printed in black ink, from one screen on paper
http://schema.org/description "For her print Sriwhana Spong devised a private alphabet, or code, from abstract forms that trace trench designs used in First World War maps and leaves gathered while cycling through various areas involved in the Battle of Passchendaele. The idea for a code came out of her inability to speak about such a horrific event. This sense of speechlessness, or not being able to find the right words, was the initial idea for a language that would speak in symbols, playing on the 'code' as a form of opaque communication and a disseminator of secrets. Both the leaves and the trench designs are forms that belong to the earth: the trenches being an architecture inside the ground that spread like scars across the landscape, and the leaves plucked from the places where the dead were given back to the earth. The translated text is from an official notification of the death of a soldier Spong read in the Flander's Museum. It states that the soldier in question died 'in a place not stated'. The black elements have been screenprinted, while the leaves where drawn onto one large lithographic stone." - Australian War Memorial
http://schema.org/name At a Place Not Stated
http://www.w3.org/1999/02/22-rdf-syntax-ns#type http://erlangen-crm.org/current/E84_Information_Carrier
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